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X-WR-CALNAME;VALUE=TEXT:IAAS Lecture by Professor Wen-shing Chou
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SUMMARY:IAAS Lecture by Professor Wen-shing Chou
DESCRIPTION:<p>	<strong><span style="text-autospace:none"><em>Abodes of Alien Ancestors: Buddhist Geography and Genealogy in</em></span><em> 18th-Century Beijing</em></strong></p><p>	<span><span><span style="color:black">Wen-shing Chou, Associate Professor of Chinese Art, Hunter College, CUNY</span></span></span></p><p>	<span style="line-height:24.0pt"><span><span style='NewRoman"'><span style="color:black">Abstract:  </span></span></span></span></p><p>	<span style="line-height:24.0pt"><span><span style='NewRoman"'><span style="color:black">In 1780, the Sixth Paṇchen Lama (1738-1780) presented a rebirth lineage supplication prayer (<em>’khrungs rabs gsol ’debs</em>) to the Qing Qianlong emperor (1711-1799) on the occasion of the emperor’s seventieth birthday. The prayer </span></span></span><span><span style='NewRoman"'>recognizes <span style="color:black">Qianlong’s previous incarnations as royal and monastic luminaries </span><span style="color:black">from </span><span style="color:black">Buddhist India, dynastic Tibet, the Mongol Empire, and the transnational Gelukpa institution, producing a temporally and geographically articulate affirmation of the Qing imperial claim to a pan-Asian spiritual lineage. The Qing emperors’ status as emanations of Mañjughoṣa had been firmly established, but to what extent was Qianlong’s rebirth lineage known and accepted in the Tibetan Buddhist world, and what role did Qianlong and his court play in its formulation? </span></span></span></span></p><p>	<span style="line-height:24.0pt"><span><span style='NewRoman"'><span style="color:black">This lecture seeks to contextualize the Sixth Paṇchen’s gift to Qianlong by uncovering an extraordinary effort on the part of the Qing court and the courts of the Paṇchen and Dalai Lamas to remap, through visual and material means, rebirth lineages of the Qing emperor and his Gelukpa clerical allies. Their interconnected genealogies were pictorialized in prints, thangkas, and illustrated albums. These objects operated within a lively culture of gift exchange and artistic adaptation between Qing and Tibet. The </span></span></span><span><span style='NewRoman"'>lecture considers their calibrated deployment of history, language, style, and form towards the creation of a new Buddhist geography and genealogy<span style="color:black"> in eighteenth century Beijing.</span></span></span></span></p><p>	 </p><p>	<span style="color:rgb(0,0,0);-webkit-standard;medium;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;display:inline!important;float:none;">Bhāviveka. Late 18th century. Thangka, color on cloth.</span><span style="color:rgb(0,0,0);-webkit-standard;medium;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;orphans:auto;text-align:start;text-indent:0px;text-transform:none;white-space:normal;widows:auto;word-spacing:0px;-webkit-text-size-adjust:auto;-webkit-text-stroke-width:0px;display:inline!important;float:none;"> 135.3 x 84.5  cm. Philadelphia Museum of Art.</span></p><p>	<drupal-media data-entity-type="media" data-entity-uuid="5b345fff-0c36-4424-ab89-d50a11532257" alt="Bhaviveka Thangka of Philadelphia Museum of Art"></drupal-media></p>
LOCATION:CGIS South Building, Room S250, 1730 Cambridge Street, Cambridge MA 02138
STATUS:CONFIRMED
DTSTART:20200304T181500Z
DTEND:20200304T193000Z
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